LORRY TART - The Lorries.

I have always been keen on geometry and here is a gathering of squares and rectancles whilst the tankers are circular. The breakdown of the shapes, i.e. the division of the shape by the doors, is echoed in the work of Ellesworth Kelly and Terry Frost who I am researching.

This unusual chap lies in the dockyard at Newlyn. I just love black and white, especially stripes. It is chic and striking. Also, a detail.
Another black and white lorry at Newlyn.

I chose this Sainsbury's lorry because of the interesting inscription on the back:-

'This is a dual fuel lorry, fuelled by a combination of diesel and landfill gas. CO2 emissions from landfill gas are more than 60% lower than diesel. Our values make us different.'

Well, I didn't know that!

The driver of this lorry really did think I was bonkers, asking to take pictures of his lorry in the torrential rain. Lots of geometric shapes in this one, and colour.

I telephoned Highways and spent a day with the manager of the depot. Each driver is responsible for his own lorry, keeping it clean etc. and I was so impressed with their pride. This driver insisted I take photos of the arrow pointing to the right with the arrow lights on, and another with the arrow to the left.
And with this lorry, one with the top lights on and one with the bottom. I was treated like royalty and had such a laugh.

Can you tell where it is yet??

This image is similar to that used by Terry Frost.

No matter what your source is, you will see the shapes you see and with this one, the red reflector around the doors could be one of my scarf designs. (If it's not, it probably will be - one day!

Copyright

TANKER TART - The Coloured Tankers

Another collection of interesting coloured tankers. We went out the other day and I had forgotten my camera. You should have seen the strange monsters that 'got away'!

Ah. The 'Scarlet' Tanker. How I love scarlet!

A golden cement tanker

This black tanker is the only one I have seen with a square casing around it. More research needed here.

I think this is a milk tanker.


I was delighted with this blue Highways tanker.

And this cleaning lorry, a circle with circles like some strange alien being.

Quite a few of the lorry drivers are overweight. Of course, they are probably compelled to live on 'takeaway' meals and burgers. I can see the echo in the roundness of the tankers and I am sure this will permeate my work somewhere.


Copyright

Envelope Art. RALPH FREEMAN

I became fascinated with Envelope Art when reading about Takao Tanabe's work. (see previous blog).

Recently, I discovered the work of Ralph Freeman who talks about the envelope.

'The envelope is a symbol of time. It contains something that is created in the present, sent to the future and received from the past'.

'The Letter' Ralph Freeman. Oil on canvas

'Notes on Notes' Ralph freeman

' Enveloped' Oil with collage on canvas

I love the idea of 'secrets' tucked away under the flap. The envelope may contain a letter of love, a bill, a nasty correspondence, notice of a birth, a christening, a birthday, party or just printed matter. A letter from a friend is always more appreciated and special than an impersonal E-mail but they are sent less and less now.

The envelope travels through time, often kept for years as a reminder of past loves.

TANKER TART - White tankers.

Travelling long distances on dual carriageways and motorways, often in three lanes of solid traffic, I have become fascinated with 'lorry bums'. The variations in design and geometry have caught my imagination. But my frustration has been paramount because I cannot take pictures of them while I am driving. I have been known to trail a tanker through a town onto a trading estate, or follow it to its depot, into the services etc. Drivers have, so far, been pleasant, fun and very curious, obviously thinking I have a screw loose.

Often, however, it is not appropriate to ask permission. The curtains may be drawn as they doze in their cab.


Last week we spent most of the week in Norfolk, visiting the Sainsbury Centre on East Anglia University campus to see the exhibition, 'China, China China' and Lord Sainsbury's permanent collection, which I love, and also attending a brilliant lecture. We stayed on an amazing organic farm where the food was wonderful. The journey was tedious, having to go round London on the M.25. and seemed to take forever. But it was an opportunity to take pictures of lorries with interesting design, excitedly following some into services and laybys! I gathered many more truck pics under my wing.







I fell in love with this tanker and followed it for miles, off the motorway until it stopped in a lay-by close to Sainsbury in Taunton. Such clean lines and simple patterns. One of my favourites to work from.


Detail


This lorry was parked in a layby. I love the simple circle surrounded by angles.


Having followed this tanker along the dual carriageway, I finally caught up with it in a services lorry park.

This B.P. lorry I followed for miles coming home from college the other night, often at 30 mph. Eventually, I gave up, accepting that it may never pull off the road. Suddenly, I came across a B.P. garage, quickly indicated and pulled in and was so thrilled the lorry pulled in behind me. The driver was bemused when I asked if I could photograph his tanker.




As we drove into the services on our way to Norfolk and parked in the car park, I was eager to explore the lorry park. Suddenly, this tanker pulled in front of our car. I leapt out and took a couple of pictures, forgetting to turn off my flash. He disappeared very quickly indeed. Definitely another favourite






We followed this tanker with its blue pipes several times, once into the services, but lost it. Later on, we came across it again on the motorway and I managed to take a picture.

A septic tank tanker,I understand - so many interesting shapes. I am becoming fascinated by the pipes too.

Dirty white oval tanker going under a bridge.

I am hunter gathering at the moment but can't wait to draw and experiment with some of these shapes - and these are just the white tankers!

What are they carrying? Who is the driver and what is his journey? Does he have to keep his lorry clean? What about colour, design, geometry, shape, decay. Terry Frost painted lorries I discovered recently. I look forward to taking this further

All images are copyright.

'CHINA' CHINA' CHINA'. Sainsburys Centre, Norfolk

"The enormous economic growth in China has been accompanied by radical social change. Cities and communities have been transformed in a single decade. This capitalist expansion has been matched by an explosion in the art market for Chinese contemporary art. Curators from all over the world have been beating a path to studios in Beijing, Shanghai and various auction rooms around the world". Review - Sainsbury Centre.

There was both a feeling of upliftment and sadness at the exhibition 'China China China'. There was a radical feeling of escape, of the death of the old and rebirth and of the opportunity for these contemporary artists to make a statement to the West. Their art has been described as 'cynical or critical realism'. Suddenly Chinese art has become desirable making the work of previously unknown artists extremely valuable, freeing them to show their art to the world.

'Artificial Moon', by Wang Yu Yang, 2007. This large piece is created by using a variety of different low energy light bulbs. Diameter 400 cms. It is an impressive piece, to me depicting newness, lighting the way to a new future.

'The first infant who cries aloud is Teimuzhen' - part of 'Nomadic Plan in Outer Space' by Wu Ershen, 2008. There is little explanation of these pieces but again, this piece depicts co-creation between the wolf and the deer. In the centre of this piece, out of the pain, a baby's hand can be seen possibly reaching into the new world of China.

'Nomadic plan in Outer Space'. by Wu Ershan 2007-8

Part of 'Nomadic plan in Outer Space', a futuristic piece also looking back at the life of Ghengis Khan. The horse and figures are made from Nomadic fabric, probably felt.



'Fallen Angel' by Sun Yuan and Peng Yu (http://www.sunyuanpengyu.com)

'Life-like and sad, the elderly angel lies in a final peaceful moment on the floor. For cutarors, the relationship between an art work, its concepts and the venue in which it is shown is always interesting, and here this work not only relates to the chinese Art economy phenomenon, but also to the issue of the human body as an object, and Chinese and UK societies concerns with the elderly, perhaps loss of power, capability and vitality, the fact being that the elder society will be the future issue in 10 years'.


This work certainly evoked emotion from the crowds. The 'body' is created from fibre-reiforced polymer and silica gel and is so realistic, we were convinced that if we tickled his toes, he would flinch. There were hairs, scabs, wrinkles and blemished on his arms and legs, a fascinating piece which again seemed to depict the fall of the old in China. The face looked as if he would open his eyes at any moment. Part of the Saachi collection.


Most of the other exhibits were videos and some I could not watch. One was about the killing of animals.

A fascinating video by a North Korean who decided to return to his home town to see how things had changed was almost like being part of his emotional journey. He found extreme poverty and corruption. The lengthy piece was filled with interesting images and shocking awareness of the repression, poverty and control in N. Korea. The border between North Korea and China is a narrow river. When the levels are low, North Koreans escape across the border. Using ropes to pull little tied bags across the river, exchanges of cigarettes, alcohol clothing etc. are made with the border guards. He showed that when the river froze in the winter, it was littered with footprints of those seeking refuge in China.


I couldn't help leaving the exhibition valuing our freedom.

A misty day in Newlyn

I feel a wonderful affinity with Newlyn and have visited so many times, studying the boats, the ripples, the rusty chunks of machinery lying around, and the art galleries, The Newlyn Gallery and Badcocks, which is now only open by appointment.

I wanted to share my day.

Firstly, I visited the Newlyn Art Gallery but because of my migrane, could not enjoy the firework display.

Nick Crowe and Ian Rawlinson had created two fireworks displays, one in a warehouse and the second (above) being made of knotted plastic bags and 'performed' in a church. These were shown on a huge screen but the sound was deafening and as I had a migraine, I could not stay to appreciate the spiritual overtones.

How does my work fit in with the more experimental work?

Avant-garde: Those artists, writers, musicians etc., whose techniques and ideas are markedly experimental, or in advance of those generally accepted. Radical! Daring!

I proposed to be more daring in the future.

The day was misty.

The Tolcarne Inn in Newlyn provides the best fish and chips I have tasted ever - so fresh. A visit to the toilet was an experience.

Wonderful murals adorned the walls.

Strolling around the harbour, I remembered the time I spent a week in the haunted 'Smugglers', overlooking the harbour, drawing the boats. As I was leaving and about to get into my car in the car park, the young lad next door shot me with an air gun. Luckily, it merely parted my hair. Close enough for me though.

The harbour looked mystical.

And I strolled along the pontoons and out on the pier, having fun and collecting imagery for my work. The water was a strange milky turquoise colour when previously, it had been clear.

Boats with rustic paintwork and brilliant colours.

But then, in the rusty dump, I found several interesting images.

An old rusty burger bar would you believe. As with my 'Zen' paintings, people I have asked see different images in these, dolphins, angels etc. I know I will work with these images.

Rusty oil drums with the moon in situ.

And rusty steel plate with pipes, in the rain.

The rusty yard

Part of a boat.

All images and designs are copyright. No image may be copied without my permission. All infringements of these rights will be vigourously pursued.